We talk about his drum setup and posture to facilitate singing while playing, and about being at home out front and behind the kit.Marc talks about the opportunities he had to work with Scholastic, and create music for video games and animation, and we get into the different organizations Marc has served with (on the Board), to lobby for artist rights, and the success of the music industry. Marc talks about caring for his voice over the course of his career, and the physical requirements of being a singing drummer. We talk about the perspective that this is indeed the music 'business', and there are some cross-sectional skills that are important. Notably, he has recorded with a vast array of prominent artists including Crowcuss, Chilliwack, Payolas, Loverboy, Trooper, Prism, Shari Ulrich, Bruce Miller, Straight Lines, Glass Tiger, Long John Baldry, Alice Cooper, Motley Crue, Bon Jovi, Cher, Carly Simon, Blue Murder, The Cult, David Lee Roth, Scorpions, Black Veil Brides, "Michael Bublé's Christmas in New York," and many others. Marc and I talk about the what-I'd-do-differently and the what-I'd-do-agains, his music education, important career relationships, and creating longevity in the music industry. He has been the Drummer/Singer for Bachman & Turner and Randy Bachman since 2009, and is the Drummer/Singer with Cease & Desist. Marc has been a fixture in the Vancouver for over 4 decades. On today's show, we welcome drummer, singer, producer, and songwriter, Marc LaFrance. If you have ideas for things you'd like to hear on the show, follow the link below!_SUBMIT YOUR BURNING QUESTIONS or SUGGEST A GUESTTHE VOCAL LAB INSTAGRAMTHE VOCAL LAB music for The Vocal Lab by FreshEars AudioAudio Editing for The Vocal Lab by Kurt MaasSome links posted in the show notes may happen to be affiliate or partner links. We're going to talk about who takes lessons, and whyWe'll talk about the difference between a teacher and a coachWe'll talk about the what you get out of lessons, and the student's part in the processBuckle up for the first solo episode with me! We'll do more of these over time, talking about all things voice and performance. You're going to hear me hold some possibly controversial opinions about working with different coaches. Coaches hold up a mirror and help us identify, see, and learn the tools to navigate our roadblocks. For our purposes, we're talking about vocal coaching, but honestly, the same principals apply to any other kind of skill coaching - musical instruments, business, personal growth, you name it. We're going to journey into all the ins and outs of working with a coach. On today's episode, you're getting me, and me alone. Which is pretty great, because I was going to share it with you anyway! That just means when you click the link to purchase something on this page, I may receive a commission for sharing it with you, even though it won't cost you a penny more. Some links posted in the show notes may happen to be affiliate or partner links. And Danny wraps it up with his words of wisdom on when it’s time to get an agent or a manager…and when it really isn’t.Įmail the Vocal Lab at music for The Vocal Lab by FreshEars Audio We chat about how to get heard by a label. We talk about why it’s worth recording different things in different rooms, and how it affects the budget.ĭanny talks about what the current day alternatives are to radio trackers, in order to get music out of the artists’ hands and into the ears of listeners. We talk in detail about the different stages, roles, and what they encompass: pre-production, recording, mixing, and mastering. Danny explains how he structures his rates, and exactly what can be expected in the process. In part two of my interview with Danny Craig, we get into the elements that have gone into his favourite projects.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |